Ellsworth Kelly developed a clear vision for the final piece of his career as an internationally-acclaimed artist. In “Austin,” Kelly wanted to bend light in different ways through an array of 33 colored windows, 14 black and white marble panels and an 18-ft. tall totem, one of Kelly’s common sculptural forms. The project, constructed at the Blanton Museum of Art on the campus of the Univ. of Texas, was hailed by The New York Times as his masterpiece, “the grandest exploration of pure color and form in a seven-decade career spent testing the boundaries of both.”The signature project required extreme collaboration with the design team at Overland Partners, and th